\u6765\u308b2026\u5e745\u670821\u65e5(\u6728\u66dc\u65e5)\u3001\u7acb\u547d\u9928\u5927\u5b66\u30b2\u30fc\u30e0\u7814\u7a76\u30bb\u30f3\u30bf\u30fc\u306b\u3088\u308b2026\u5e74\u5ea6\u7b2c4\u56de\u5b9a\u4f8b\u7814\u7a76\u4f1a\u3092\u5b9f\u65bd\u81f4\u3057\u307e\u3059\u3002\u767a\u8868\u8005\u306f\u3001Costantino Oliva\u6c0f\u3067\u3059\u3002\u767b\u9332\u30fb\u53c2\u52a0\u6599\u4e0d\u8981\u3068\u306a\u3063\u3066\u304a\u308a\u307e\u3059\u3002\u304a\u8a98\u3044\u5408\u308f\u305b\u306e\u4e0a\u3001\u596e\u3063\u3066\u3054\u53c2\u52a0\u306e\u307b\u3069\u3001\u304a\u5f85\u3061\u3057\u3066\u304a\u308a\u307e\u3059\u3002
The Ritsumeikan Center for Game Studies will hold its 4th workshop of the 2026 academic year on Thursday, May 21th, 2026. The presenter will be Prof. Costantino Oliva. Registration is not required, and there is no participation fee. We look forward to your active participation.<\/p>\n\n\n\n
\u25a0\u767a\u8868\u30bf\u30a4\u30c8\u30eb Title
Designing Games for Musical Improvisation: Documenting RtD Approaches to Ludomusicology<\/p>\n\n\n\n
\u25a0\u767a\u8868\u8005 Presenter
Costantino Oliva, University of Malta<\/p>\n\n\n\n
\u25a0\u65e5\u6642 Date and Time
5\u670821\u65e5 (\u6728\u66dc\u65e5)\u300016\uff1a40\uff5e18\uff1a40
May 21th (Thu.) 16\uff1a40\uff5e18\uff1a40<\/p>\n\n\n\n
\u25a0\u5834\u6240 Venue \u25a0\u6982\u8981 Summary \u25a0\u30db\u30b9\u30c8 Host <\/p>\n","protected":false},"excerpt":{"rendered":" \u6765\u308b2026\u5e745\u670821\u65e5(\u6728\u66dc\u65e5)\u3001\u7acb\u547d\u9928\u5927\u5b66\u30b2\u30fc\u30e0\u7814\u7a76\u30bb\u30f3\u30bf\u30fc\u306b\u3088\u308b2026\u5e74\u5ea6\u7b2c4\u56de\u5b9a\u4f8b\u7814\u7a76\u4f1a\u3092\u5b9f\u65bd\u81f4\u3057\u307e\u3059\u3002\u767a\u8868\u8005\u306f\u3001Costantino Oliva\u6c0f\u3067\u3059\u3002\u767b\u9332\u30fb\u53c2\u52a0\u6599\u4e0d\u8981\u3068\u306a\u3063\u3066\u304a\u308a\u307e\u3059\u3002\u304a \u7d9a\u304d\u3092\u8aad\u3080\u2026<\/a><\/p>\n","protected":false},"author":23,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,3],"tags":[],"class_list":["post-3496","post","type-post","status-publish","format-standard","hentry","category-event","category-seminar"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.rcgs.jp\/index.php?rest_route=\/wp\/v2\/posts\/3496","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rcgs.jp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rcgs.jp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rcgs.jp\/index.php?rest_route=\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rcgs.jp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3496"}],"version-history":[{"count":1,"href":"https:\/\/www.rcgs.jp\/index.php?rest_route=\/wp\/v2\/posts\/3496\/revisions"}],"predecessor-version":[{"id":3497,"href":"https:\/\/www.rcgs.jp\/index.php?rest_route=\/wp\/v2\/posts\/3496\/revisions\/3497"}],"wp:attachment":[{"href":"https:\/\/www.rcgs.jp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3496"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rcgs.jp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3496"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rcgs.jp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3496"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\u7acb\u547d\u9928\u5927\u5b66\u8863\u7b20\u30ad\u30e3\u30f3\u30d1\u30b9 \u5b66\u800c\u9928\u7814\u7a76\u4f1a\u5ba4 3\u3000\u30a2\u30af\u30bb\u30b9<\/a>
Ritsumeikan Kinugasa Campas, Gakujikan Reserch Room 3\u3000Access<\/a><\/p>\n\n\n\n
This paper explores the research, development, and deployment of two games for research designed to foster musical improvisation: “Otogarden” (Oliva 2021) and “Night Parade of 100 Demons” (Oliva 2024). Starring Japanese yokai, these games aim to afford extemporaneous musicality without the constraints of traditional winning conditions. Applying “Research through Design” (RtD) methodology, the games are positioned as aesthetic objects that reimagine yokai myths through musical play. Improvisation, identified as an under explored musicking modality in digital games, is here introduced to players by leveraging the playfulness and raucousness of yokai. Reflecting their interdisciplinary nature, these games have been presented at art galleries, academic conferences, game festivals, and through live performances across Europe, Japan, US, and Australia from 2021 onwards. This presentation documents the process, establishing a precedent for applied ludomusicological research, originally connecting game design, cultural heritage, and experimental music practice.<\/p>\n\n\n\n
\u4e2d\u6751\u3000\u5f70\u61b2 NAKAMURA Akinori
\u7acb\u547d\u9928\u5927\u5b66\u6620\u50cf\u5b66\u90e8 \u6559\u6388
Professor, College of Image Arts and Sciences, Ritsumeikan University<\/p>\n\n\n\n