\u6765\u308b2024\u5e747\u670811\u65e5(\u6728\u66dc\u65e5)\u3001\u7acb\u547d\u9928\u5927\u5b66\u30b2\u30fc\u30e0\u7814\u7a76\u30bb\u30f3\u30bf\u30fc\u306b\u3088\u308b2024\u5e74\u5ea6\u7b2c6\u56de\u5b9a\u4f8b\u7814\u7a76\u4f1a\u3092\u5b9f\u65bd\u81f4\u3057\u307e\u3059\u3002\u767a\u8868\u8005\u306f\u3001Costantino Oliva\u6c0f\u3067\u3059\u3002\u767b\u9332\u30fb\u53c2\u52a0\u6599\u4e0d\u8981\u3068\u306a\u3063\u3066\u304a\u308a\u307e\u3059\u3002\u304a\u8a98\u3044\u5408\u308f\u305b\u306e\u4e0a\u3001\u596e\u3063\u3066\u3054\u53c2\u52a0\u306e\u307b\u3069\u3001\u304a\u5f85\u3061\u3057\u3066\u304a\u308a\u307e\u3059\u3002<\/p>\n\n\n\n
\u25a0\u767a\u8868\u30bf\u30a4\u30c8\u30eb Title<\/p>\n\n\n\n
How Musical are Game Players? Exploring Musical Situations in Video Games<\/p>\n\n\n\n
\u25a0\u767a\u8868\u8005 Presenter<\/p>\n\n\n\n
Costantino Oliva\uff08University of Malta\uff09<\/p>\n\n\n\n
\u25a0\u65e5\u6642 Date and Time<\/p>\n\n\n\n
7\u670811\u65e5(\u6728\u66dc\u65e5)\u300016:20\uff5e18:20<\/p>\n\n\n\n
\u25a0\u5834\u6240 Venue<\/p>\n\n\n\n
\u7acb\u547d\u9928\u5927\u5b66\u8863\u7b20\u30ad\u30e3\u30f3\u30d1\u30b9 \u5b66\u800c\u9928\u7814\u7a76\u4f1a\u5ba4 3\u3000\u30a2\u30af\u30bb\u30b9<\/a> \u25a0\u6982\u8981 Summary<\/p>\n\n\n\n This paper has its theoretical foundation in John Blacking’s analysis of musical situations, whereby an intercultural understanding of music and musicality arises from an emphasis on the individual rather than the social. With this in mind, the paper sets out to examine the musicality of the game player by focusing on the player’s creative impulse and individual experience. Conclusions show that a variety of musical situations in video games challenge received elitist musical paradigms by facilitating a space of the expression of individual musicality and creative endeavor.<\/p>\n\n\n\n \u25a0\u767a\u8868\u8cc7\u6599<\/strong>\u3000Document<\/p>\n\n\n\n \u25cf\u52d5\u753b\u30a2\u30fc\u30ab\u30a4\u30d6<\/p>\n\n\n\n
Ritsumeikan Kinugasa Campas, Gakujikan Reserch Room 3\u3000Access<\/a><\/p>\n\n\n\n