{"id":200,"date":"2019-04-18T01:38:30","date_gmt":"2019-04-17T16:38:30","guid":{"rendered":"http:\/\/rcgs-jp.check-xserver.jp\/?page_id=200"},"modified":"2025-04-22T11:42:12","modified_gmt":"2025-04-22T02:42:12","slug":"journal-of-replaying-japan","status":"publish","type":"page","link":"https:\/\/www.rcgs.jp\/?page_id=200","title":{"rendered":"\u96d1\u8a8c\u300eREPLAYING JAPAN\u300f"},"content":{"rendered":"\n<img decoding=\"async\" src=\"https:\/\/www.rcgs.jp\/wp-content\/uploads\/2019\/06\/JournalBanner.jpg\" alt=\"\" class=\"wp-image-336\">\n\n\n\n<h2 class=\"wp-block-heading\">\u300eREPLAYING JAPAN\u300f\u30d0\u30c3\u30af\u30ca\u30f3\u30d0\u30fc<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/ritsumei.repo.nii.ac.jp\/search?page=1&amp;size=100&amp;sort=custom_sort&amp;search_type=2&amp;q=999\"><img loading=\"lazy\" decoding=\"async\" width=\"724\" height=\"1024\" src=\"http:\/\/www.rcgs.jp\/wp-content\/uploads\/2019\/04\/vol0-724x1024.jpg\" alt=\"\" class=\"wp-image-507\"\/><\/a><figcaption class=\"wp-element-caption\"><strong>REPLAYING JAPAN Vol. 0 <\/strong><br><strong>(\u6e96\u5099\u53f7)<\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/ritsumei.repo.nii.ac.jp\/search?page=1&amp;size=100&amp;sort=custom_sort&amp;search_type=2&amp;q=1000\"><img loading=\"lazy\" decoding=\"async\" width=\"420\" height=\"594\" src=\"http:\/\/www.rcgs.jp\/wp-content\/uploads\/2019\/04\/RJ-1.jpg\" alt=\"\" class=\"wp-image-533\" srcset=\"https:\/\/www.rcgs.jp\/wp-content\/uploads\/2019\/04\/RJ-1.jpg 420w, https:\/\/www.rcgs.jp\/wp-content\/uploads\/2019\/04\/RJ-1-212x300.jpg 212w\" sizes=\"auto, (max-width: 420px) 100vw, 420px\" \/><\/a><figcaption class=\"wp-element-caption\"><strong>REPLAYING JAPAN Vol. 1<\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/ritsumei.repo.nii.ac.jp\/search?page=1&amp;size=100&amp;sort=custom_sort&amp;search_type=2&amp;q=1278\"><img loading=\"lazy\" decoding=\"async\" width=\"719\" height=\"1024\" src=\"http:\/\/www.rcgs.jp\/wp-content\/uploads\/2022\/10\/ReplayingJapan2-1-719x1024.png\" alt=\"\" class=\"wp-image-2035\" srcset=\"https:\/\/www.rcgs.jp\/wp-content\/uploads\/2022\/10\/ReplayingJapan2-1-719x1024.png 719w, https:\/\/www.rcgs.jp\/wp-content\/uploads\/2022\/10\/ReplayingJapan2-1-211x300.png 211w, https:\/\/www.rcgs.jp\/wp-content\/uploads\/2022\/10\/ReplayingJapan2-1-768x1093.png 768w, https:\/\/www.rcgs.jp\/wp-content\/uploads\/2022\/10\/ReplayingJapan2-1-1079x1536.png 1079w, https:\/\/www.rcgs.jp\/wp-content\/uploads\/2022\/10\/ReplayingJapan2-1-1439x2048.png 1439w, https:\/\/www.rcgs.jp\/wp-content\/uploads\/2022\/10\/ReplayingJapan2-1.png 1635w\" sizes=\"auto, (max-width: 719px) 100vw, 719px\" \/><\/a><figcaption class=\"wp-element-caption\"><strong>REPLAYING JAPAN Vol. 2<\/strong><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/ritsumei.repo.nii.ac.jp\/search?page=1&amp;size=100&amp;sort=custom_sort&amp;search_type=2&amp;q=1365\"><img loading=\"lazy\" decoding=\"async\" width=\"719\" height=\"1024\" src=\"http:\/\/www.rcgs.jp\/wp-content\/uploads\/2022\/10\/SCAN0003_\u30da\u30fc\u30b8_2-719x1024.jpg\" alt=\"\" class=\"wp-image-2003\" srcset=\"https:\/\/www.rcgs.jp\/wp-content\/uploads\/2022\/10\/SCAN0003_\u30da\u30fc\u30b8_2-719x1024.jpg 719w, https:\/\/www.rcgs.jp\/wp-content\/uploads\/2022\/10\/SCAN0003_\u30da\u30fc\u30b8_2-211x300.jpg 211w, https:\/\/www.rcgs.jp\/wp-content\/uploads\/2022\/10\/SCAN0003_\u30da\u30fc\u30b8_2-768x1093.jpg 768w, https:\/\/www.rcgs.jp\/wp-content\/uploads\/2022\/10\/SCAN0003_\u30da\u30fc\u30b8_2-1079x1536.jpg 1079w, https:\/\/www.rcgs.jp\/wp-content\/uploads\/2022\/10\/SCAN0003_\u30da\u30fc\u30b8_2-1439x2048.jpg 1439w, https:\/\/www.rcgs.jp\/wp-content\/uploads\/2022\/10\/SCAN0003_\u30da\u30fc\u30b8_2.jpg 1635w\" sizes=\"auto, (max-width: 719px) 100vw, 719px\" \/><\/a><figcaption class=\"wp-element-caption\"><strong>REPLAYING JAPAN Vol. 3<\/strong><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/ritsumei.repo.nii.ac.jp\/search?page=1&amp;size=100&amp;sort=custom_sort&amp;search_type=2&amp;q=1718869060480\"><img loading=\"lazy\" decoding=\"async\" width=\"721\" height=\"1024\" src=\"https:\/\/www.rcgs.jp\/wp-content\/uploads\/2024\/07\/replyaingjapan_vol6-721x1024.jpg\" alt=\"\" class=\"wp-image-2967\" srcset=\"https:\/\/www.rcgs.jp\/wp-content\/uploads\/2024\/07\/replyaingjapan_vol6-721x1024.jpg 721w, https:\/\/www.rcgs.jp\/wp-content\/uploads\/2024\/07\/replyaingjapan_vol6-211x300.jpg 211w, https:\/\/www.rcgs.jp\/wp-content\/uploads\/2024\/07\/replyaingjapan_vol6-768x1090.jpg 768w, https:\/\/www.rcgs.jp\/wp-content\/uploads\/2024\/07\/replyaingjapan_vol6-1082x1536.jpg 1082w, https:\/\/www.rcgs.jp\/wp-content\/uploads\/2024\/07\/replyaingjapan_vol6-1443x2048.jpg 1443w, https:\/\/www.rcgs.jp\/wp-content\/uploads\/2024\/07\/replyaingjapan_vol6.jpg 1654w\" sizes=\"auto, (max-width: 721px) 100vw, 721px\" \/><\/a><figcaption class=\"wp-element-caption\"><strong>REPLAYING JAPAN Vol. 6<\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/ritsumei.repo.nii.ac.jp\/search?page=1&amp;size=100&amp;sort=custom_sort&amp;search_type=2&amp;q=1652\"><img loading=\"lazy\" decoding=\"async\" width=\"719\" height=\"1024\" src=\"http:\/\/www.rcgs.jp\/wp-content\/uploads\/2022\/10\/SCAN0003_\u30da\u30fc\u30b8_1-719x1024.jpg\" alt=\"\" class=\"wp-image-2002\" srcset=\"https:\/\/www.rcgs.jp\/wp-content\/uploads\/2022\/10\/SCAN0003_\u30da\u30fc\u30b8_1-719x1024.jpg 719w, https:\/\/www.rcgs.jp\/wp-content\/uploads\/2022\/10\/SCAN0003_\u30da\u30fc\u30b8_1-211x300.jpg 211w, https:\/\/www.rcgs.jp\/wp-content\/uploads\/2022\/10\/SCAN0003_\u30da\u30fc\u30b8_1-768x1093.jpg 768w, https:\/\/www.rcgs.jp\/wp-content\/uploads\/2022\/10\/SCAN0003_\u30da\u30fc\u30b8_1-1079x1536.jpg 1079w, https:\/\/www.rcgs.jp\/wp-content\/uploads\/2022\/10\/SCAN0003_\u30da\u30fc\u30b8_1-1439x2048.jpg 1439w, https:\/\/www.rcgs.jp\/wp-content\/uploads\/2022\/10\/SCAN0003_\u30da\u30fc\u30b8_1.jpg 1634w\" sizes=\"auto, (max-width: 719px) 100vw, 719px\" \/><\/a><figcaption class=\"wp-element-caption\"><strong>REPLAYING JAPAN Vol. 4<\/strong><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/ritsumei.repo.nii.ac.jp\/search?page=1&amp;size=100&amp;sort=custom_sort&amp;search_type=2&amp;q=1744184891824\"><img loading=\"lazy\" decoding=\"async\" width=\"1803\" height=\"2560\" src=\"https:\/\/www.rcgs.jp\/wp-content\/uploads\/2025\/04\/rcgs_7_hyoshi-scaled.png\" alt=\"\" class=\"wp-image-3153\" srcset=\"https:\/\/www.rcgs.jp\/wp-content\/uploads\/2025\/04\/rcgs_7_hyoshi-scaled.png 1803w, https:\/\/www.rcgs.jp\/wp-content\/uploads\/2025\/04\/rcgs_7_hyoshi-211x300.png 211w, https:\/\/www.rcgs.jp\/wp-content\/uploads\/2025\/04\/rcgs_7_hyoshi-721x1024.png 721w, https:\/\/www.rcgs.jp\/wp-content\/uploads\/2025\/04\/rcgs_7_hyoshi-768x1091.png 768w, https:\/\/www.rcgs.jp\/wp-content\/uploads\/2025\/04\/rcgs_7_hyoshi-1082x1536.png 1082w, https:\/\/www.rcgs.jp\/wp-content\/uploads\/2025\/04\/rcgs_7_hyoshi-1442x2048.png 1442w\" sizes=\"auto, (max-width: 1803px) 100vw, 1803px\" \/><\/a><figcaption class=\"wp-element-caption\"><strong>REPLAYING JAPAN Vol. 7<\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/ritsumei.repo.nii.ac.jp\/search?page=1&amp;size=100&amp;sort=custom_sort&amp;search_type=2&amp;q=1695\"><img loading=\"lazy\" decoding=\"async\" width=\"724\" height=\"1024\" src=\"https:\/\/www.rcgs.jp\/wp-content\/uploads\/2023\/05\/rcgs_5_hyoshi-724x1024.png\" alt=\"\" class=\"wp-image-2556\" srcset=\"https:\/\/www.rcgs.jp\/wp-content\/uploads\/2023\/05\/rcgs_5_hyoshi-724x1024.png 724w, https:\/\/www.rcgs.jp\/wp-content\/uploads\/2023\/05\/rcgs_5_hyoshi-212x300.png 212w, https:\/\/www.rcgs.jp\/wp-content\/uploads\/2023\/05\/rcgs_5_hyoshi-768x1086.png 768w, https:\/\/www.rcgs.jp\/wp-content\/uploads\/2023\/05\/rcgs_5_hyoshi-1086x1536.png 1086w, https:\/\/www.rcgs.jp\/wp-content\/uploads\/2023\/05\/rcgs_5_hyoshi-1448x2048.png 1448w, https:\/\/www.rcgs.jp\/wp-content\/uploads\/2023\/05\/rcgs_5_hyoshi.png 1654w\" sizes=\"auto, (max-width: 724px) 100vw, 724px\" \/><\/a><figcaption class=\"wp-element-caption\"><a href=\"https:\/\/ritsumei.repo.nii.ac.jp\/index.php?action=pages_view_main&amp;active_action=repository_view_main_item_snippet&amp;index_id=1652&amp;pn=1&amp;count=20&amp;order=17&amp;lang=japanese&amp;page_id=13&amp;block_id=21\"><\/a><strong>REPLAYING JAPAN Vol. 5<\/strong><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">REPLAYING JAPAN Vol. 7<\/h2>\n\n\n\n<div id=\"Journal-Info\">\n<img decoding=\"async\" src=\"http:\/\/www.rcgs.jp\/wp-content\/uploads\/2025\/04\/rcgs_7_hyoshi-scaled.png\">\n\u96d1\u8a8c<br>\u767a\u884c\u65e5\uff1a2025\u5e743\u6708<br>\u767a\u884c\u8005\uff1a\u7acb\u547d\u9928\u5927\u5b66\u30b2\u30fc\u30e0\u7814\u7a76\u30bb\u30f3\u30bf\u30fc<br>\u767a\u884c\u5730\uff1a\u4eac\u90fd\u5e9c\u4eac\u90fd\u5e02<br>\u5f62\u5f0f\uff1a\u518a\u5b50 ; 167 pages ; 29.7 cm<br>\u8a00\u8a9e\uff1ajpn ; eng<br>ISSN\uff1a2433-8060\n<\/div>\n\n\n\n<p><a href=\"https:\/\/ritsumei.repo.nii.ac.jp\/search?page=1&amp;size=100&amp;sort=custom_sort&amp;search_type=2&amp;q=1744184891824\" target=\"_blank\" rel=\"noopener\" title=\"\u76ee\u6b21 - \u7acb\u547d\u9928\u5927\u5b66\u5b66\u8853\u6210\u679c\u30ea\u30dd\u30b8\u30c8\u30ea\">\u76ee\u6b21 &#8211; \u7acb\u547d\u9928\u5927\u5b66\u5b66\u8853\u6210\u679c\u30ea\u30dd\u30b8\u30c8\u30ea<\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>\u539f\u8457\u8ad6\u6587 &#8211; Original Paper<\/strong><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Kennedy, Vee. \u201cPostcolonial Pok\u00e9mon : The Social Responsibility of Indigenous Representation as told by Online Discourse and Game Reviews of Pok\u00e9mon Legends : Arceus.\u201d\u00a0<em>REPLAYING JAPAN<\/em>\u00a07 (2025): 11\u201317. <a href=\"https:\/\/doi.org\/10.34382\/0002001917\" target=\"_blank\" rel=\"noopener\" title=\"\">https:\/\/doi.org\/10.34382\/0002001917<\/a>.<\/li>\n\n\n\n<li>Jordan, Kendal, Textor, Kristana. \u201cCross-Cultural Perspective on the Psychological Effects of First-Person Shooter Game.\u201d\u00a0<em>REPLAYING JAPAN<\/em>\u00a07 (2025): 19\u201327. <a href=\"https:\/\/doi.org\/10.34382\/0002001918\" target=\"_blank\" rel=\"noopener\" title=\"\">https:\/\/doi.org\/10.34382\/0002001918<\/a>.<\/li>\n\n\n\n<li>Hurezeanu, Alexander. \u201cDiscrimination, Transculturation, and Elden Ring : The Cultural Discourse of the JRPG and its Transcultural Potential.\u201d <em>REPLAYING JAPAN<\/em>\u00a07 (2025): 29-40. <a href=\"https:\/\/doi.org\/10.34382\/0002001919\" target=\"_blank\" rel=\"noopener\" title=\"\">https:\/\/doi.org\/10.34382\/0002001919<\/a>.<\/li>\n\n\n\n<li>Franiczek, Aleksander. \u201cRole-playing Affordances and Aesthetics in Japanese and Western RPGs : Towards a Typology of Videogame Avatars<br>\u65e5\u672c\u3068\u897f\u6d0b\u306eRPG\u306b\u304a\u3051\u308b\u30ed\u30fc\u30eb\u30d7\u30ec\u30a4\u30f3\u30b0\u306e\u30a2\u30d5\u30a9\u30fc\u30c0\u30f3\u30b9\u3068\u7f8e\u5b66\uff1a\u30d3\u30c7\u30aa\u30b2\u30fc\u30e0\u30a2\u30d0\u30bf\u30fc\u306e\u985e\u578b\u8ad6\u306b\u5411\u3051\u3066.\u201d <em>REPLAYING JAPAN<\/em>\u00a07 (2025): 41\u201350. <a href=\"https:\/\/doi.org\/10.34382\/0002001920\" target=\"_blank\" rel=\"noopener\" title=\"\">https:\/\/doi.org\/10.34382\/0002001920<\/a>.<\/li>\n\n\n\n<li>Baghbanmoshiri, Homeira. \u201cSerialization of the Player-Character in RPGs: Analyzing The Witcher and Final Fantasy Game Series as Case Studies.\u201d <em>REPLAYING JAPAN<\/em>\u00a07 (2025): 51\u201358. <a href=\"https:\/\/doi.org\/10.34382\/0002001921\" target=\"_blank\" rel=\"noopener\" title=\"\">https:\/\/doi.org\/10.34382\/0002001921<\/a>.<\/li>\n\n\n\n<li>\u4e0a\u91ce \u60a0. \u201c\u30d7\u30ec\u30a4\u30b9\u30bf\u30a4\u30eb\u306e\u5bfe\u7acb.\u201d <em>REPLAYING JAPAN<\/em>\u00a07 (2025): 59\u201369.  <a href=\"https:\/\/doi.org\/10.34382\/0002001922\" target=\"_blank\" rel=\"noopener\" title=\"\">https:\/\/doi.org\/10.34382\/0002001922<\/a>.<\/li>\n\n\n\n<li>Wagnieres, Michael. \u201cFrom the Know-It-All Brothers to the Disembodied Text : The Evolution of Tutorials through The Legend of Zelda Series (1986-2023).\u201d <em>REPLAYING JAPAN<\/em>\u00a07 (2025): 71\u201382. <a href=\"https:\/\/doi.org\/10.34382\/0002001923\" target=\"_blank\" rel=\"noopener\" title=\"\">https:\/\/doi.org\/10.34382\/0002001923<\/a>.<\/li>\n\n\n\n<li>\u9577\u8c37\u5ddd \u7dbe\u97f3, \u658e\u85e4 \u9032\u4e5f, \u30b5\u30c8\u30a6 \u30bf\u30c4\u30e4. \u201c\u8996\u899a\u969c\u5bb3\u8005\u306e\u30d3\u30c7\u30aa\u30b2\u30fc\u30e0\u4f53\u9a13\u5206\u6790\u3068\u652f\u63f4\u6a5f\u80fd\u958b\u767a \uff1a \u30b3\u30f3\u30c6\u30f3\u30c4\u5236\u4f5c\u3068\u8cea\u7684\u7814\u7a76\u3092\u7d71\u5408\u3057\u305f\u63a2\u7d22\u7684\u30a2\u30d7\u30ed\u30fc\u30c1\u3092\u901a\u3058\u3066.\u201d <em>REPLAYING JAPAN<\/em>\u00a07 (2025): 83\u201397. <a href=\"https:\/\/doi.org\/10.34382\/0002001924\" target=\"_blank\" rel=\"noopener\" title=\"\">https:\/\/doi.org\/10.34382\/0002001924<\/a>.<\/li>\n\n\n\n<li>\u6839\u5cb8 \u8cb4\u54c9. \u201c\u30b2\u30fc\u30e0\u5b9f\u6cc1\u6587\u5316\u306e\u5c55\u958b \uff1a \u30aa\u30f3\u30e9\u30a4\u30f3\u30b3\u30df\u30e5\u30cb\u30c6\u30a3\u304b\u3089\u30aa\u30d5\u30e9\u30a4\u30f3\u30a4\u30d9\u30f3\u30c8\u3078.\u201d <em>REPLAYING JAPAN<\/em>\u00a07 (2025): 99\u2013106. <a href=\"https:\/\/doi.org\/10.34382\/0002001925\" target=\"_blank\" rel=\"noopener\" title=\"\">https:\/\/doi.org\/10.34382\/0002001925<\/a>.<\/li>\n\n\n\n<li>Bruno, Luca Paolo. \u201cInterfacing with Data Facts and Fictions on Japanese Digital Games in Fan-Curated Databases.\u201d <em>REPLAYING JAPAN<\/em>\u00a07 (2025): 107\u2013117. <a href=\"https:\/\/doi.org\/10.34382\/0002001926\" target=\"_blank\" rel=\"noopener\" title=\"\">https:\/\/doi.org\/10.34382\/0002001926<\/a>.<\/li>\n\n\n\n<li>McArthur, Victoria. \u201cLeonardo da Vinci is a Beautiful Fighting Gir : A Visual Analysis of the Servant Cards in Fate\/Grand Order Arcade.\u201d <em>REPLAYING JAPAN<\/em>\u00a07 (2025): 119\u2013128. <br><a href=\"https:\/\/doi.org\/10.34382\/0002001927\" target=\"_blank\" rel=\"noopener\" title=\"\">https:\/\/doi.org\/10.34382\/0002001927<\/a>.<\/li>\n\n\n\n<li>Maiuga, Alexandra. \u201cThe Role of Grassroots Indie Game Events: How Occupational Communities Help Expatriates Integrate In Japan.\u201d <em>REPLAYING JAPAN<\/em>\u00a07 (2025): 129\u2013140. <br><a href=\"https:\/\/doi.org\/10.34382\/0002001928\" target=\"_blank\" rel=\"noopener\" title=\"\">https:\/\/doi.org\/10.34382\/0002001928<\/a>.<\/li>\n\n\n\n<li>\u677e\u5143 \u4e00\u7e54. \u201cHandicap and Equality in Gambling Shogi.\u201d <em>REPLAYING JAPAN<\/em>\u00a07 (2025): 141\u2013147. <br><a href=\"https:\/\/doi.org\/10.34382\/0002001929\" target=\"_blank\" rel=\"noopener\" title=\"\">https:\/\/doi.org\/10.34382\/0002001929<\/a>.<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">\u7814\u7a76\u30ce\u30fc\u30c8 &#8211; Research Note<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Tichy, Josef. \u201cDistorted Images of Youth : Shifting Portrayals of Minors in Resident Evil 4 (2005).\u201d\u00a0<em>REPLAYING JAPAN<\/em>\u00a07 (2025): 151\u2013154. <a href=\"https:\/\/doi.org\/10.34382\/0002001932\" target=\"_blank\" rel=\"noopener\" title=\"\">https:\/\/doi.org\/10.34382\/0002001932<\/a>.<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">\u30ec\u30dd\u30fc\u30c8 &#8211; Report<\/h3>\n\n\n\n<p>Roth, Martin, Espinoza, Emyd, Hirata, Kiyone, Rademacher, Svenja, Takahata, Kazuki, Tunger, Johannes, Yang, Siyu, Hust, Christoph. \u201cGame Music Cultures in Japan and Germany : A report on research exchange between HMT Leipzig and Ritsumeikan University Kyoto.\u201d\u00a0<em>REPLAYING JAPAN<\/em>\u00a07 (2025): 157\u2013162. <a href=\"https:\/\/doi.org\/10.34382\/0002001930\" target=\"_blank\" rel=\"noopener\" title=\"\">https:\/\/doi.org\/10.34382\/0002001930<\/a>.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">\u66f8\u8a55 &#8211; Book Review<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Ganzon, Sarah Christina. \u201cReview : Video Game Characters and Transmedia Storytelling : The Dynamic Character by Joleen Bloom, Amsterdam University Press 2023.\u201d <em>REPLAYING JAPAN<\/em>\u00a07 (2025): 165\u2013167. <a href=\"https:\/\/doi.org\/10.34382\/0002001931\" target=\"_blank\" rel=\"noopener\" title=\"\">https:\/\/doi.org\/10.34382\/0002001931<\/a>.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">REPLAYING JAPAN Vol. 6<\/h2>\n\n\n\n<div id=\"Journal-Info\">\n<img decoding=\"async\" src=\"http:\/\/www.rcgs.jp\/wp-content\/uploads\/2024\/07\/replyaingjapan_vol6.jpg\">\n\u96d1\u8a8c<br>\u767a\u884c\u65e5\uff1a2024\u5e743\u6708<br>\u767a\u884c\u8005\uff1a\u7acb\u547d\u9928\u5927\u5b66\u30b2\u30fc\u30e0\u7814\u7a76\u30bb\u30f3\u30bf\u30fc<br>\u767a\u884c\u5730\uff1a\u4eac\u90fd\u5e9c\u4eac\u90fd\u5e02<br>\u5f62\u5f0f\uff1a\u518a\u5b50 ; 157 pages ; 29.7 cm<br>\u8a00\u8a9e\uff1ajpn ; eng<br>ISSN\uff1a2433-8060\n<\/div>\n\n\n\n<p><a href=\"https:\/\/ritsumei.repo.nii.ac.jp\/search?page=1&amp;size=100&amp;sort=custom_sort&amp;search_type=2&amp;q=1718869060480\" target=\"_blank\" rel=\"noopener\" title=\"\u76ee\u6b21 - \u7acb\u547d\u9928\u5927\u5b66\u5b66\u8853\u6210\u679c\u30ea\u30dd\u30b8\u30c8\u30ea\">\u76ee\u6b21 &#8211; \u7acb\u547d\u9928\u5927\u5b66\u5b66\u8853\u6210\u679c\u30ea\u30dd\u30b8\u30c8\u30ea<\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>\u539f\u8457\u8ad6\u6587 &#8211; Original Paper<\/strong><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u5009\u6839 \u5553. \u201c\u30d3\u30c7\u30aa\u30b2\u30fc\u30e0\u306e\u30b9\u30c8\u30fc\u30ea\u30fc\u306f\u975e\u6574\u5408\u7684\u306a\u306e\u304b.\u201d&nbsp;<em>REPLAYING JAPAN<\/em>&nbsp;6 (2024): 11\u201319. <a href=\"https:\/\/doi.org\/10.34382\/0002001113\">https:\/\/doi.org\/10.34382\/0002001113<\/a>.<\/li>\n\n\n\n<li>Hawkinson, Eric. \u201ceSports in Tourism Education: A Study of Student Attitudes and Career Prospects in the MICE Industry.\u201d&nbsp;<em>REPLAYING JAPAN<\/em>&nbsp;6 (2024): 21\u201327. <a href=\"https:\/\/doi.org\/10.34382\/0002001112\">https:\/\/doi.org\/10.34382\/0002001112<\/a>.<\/li>\n\n\n\n<li>Idone Cassone, Vincenzo. \u201cMedia Imaginaries of Game Centers in Japanese Digital Games and Popular Media\u201d <em>REPLAYING JAPAN<\/em>&nbsp;6 (2024): 29-39. <a href=\"https:\/\/doi.org\/10.34382\/0002001111\">https:\/\/doi.org\/10.34382\/0002001111<\/a>.<\/li>\n\n\n\n<li>Llovet-Ferrer, Marc. \u201cA consideration of recent developments in academic research of the Japanese digital game industry\u201d <em>REPLAYING JAPAN<\/em>&nbsp;6 (2024): 41\u201354. <a href=\"https:\/\/doi.org\/10.34382\/0002001110\"><br>https:\/\/doi.org\/10.34382\/0002001110<\/a>.<\/li>\n\n\n\n<li>Shinya Miyagawa, Mamoru Endo, Mayu Urata and Takami Yasuda. \u201cExamination of Use of AI in Managing Digital Communities: By Using Avatars for Experiential Learning for Beginners in Programming and Support by Generative AI\u201d <em>REPLAYING JAPAN<\/em>&nbsp;6 (2024): 55\u201359. <a href=\"https:\/\/doi.org\/10.34382\/0002001109\">https:\/\/doi.org\/10.34382\/0002001109<\/a>. <\/li>\n\n\n\n<li>Pennington, Michael. \u201cA Nation of Economics and Electronics: Curated Expressions of Post-1945 Japanese History in Sid Meier\u2019s Civilization VI.\u201d <em>REPLAYING JAPAN<\/em>&nbsp;6 (2024): 61\u201374. <br><a href=\"https:\/\/doi.org\/10.34382\/0002001108\">https:\/\/doi.org\/10.34382\/0002001108<\/a>.<\/li>\n\n\n\n<li>\u694a \u601d\u4e88. \u201c\u300c\u30b5\u30a4\u30d0\u30fcWW1\u300d\uff1a\u300eBattlefield 1\u300f\u306b\u304a\u3051\u308b\u30c1\u30fc\u30bf\u30fc\u3092\u3081\u3050\u308b\u30d7\u30ec\u30a4\u30e4\u30fc\u96c6\u56e3\u9593\u306e\u885d\u7a81\u306e\u5206\u6790.\u201d <em>REPLAYING JAPAN<\/em>&nbsp;6 (2024): 75\u201383. <a href=\"https:\/\/doi.org\/10.34382\/0002001107\">https:\/\/doi.org\/10.34382\/0002001107<\/a>.<\/li>\n\n\n\n<li>\u4e0a\u91ce \u60a0. \u201c\u500b\u4eba\u7684\u306a\u3082\u306e\u3068\u3057\u3066\u306e\u30b2\u30fc\u30e0\u306e\u30d7\u30ec\u30a4: \u5353\u8d8a\u7684\u30d7\u30ec\u30a4\u3001\u30d7\u30ec\u30a4\u30b9\u30bf\u30a4\u30eb\u3001\u81ea\u5df1\u5b9f\u73fe\u3068\u3057\u3066\u306e\u904a\u3073.\u201d <em>REPLAYING JAPAN<\/em>&nbsp;6 (2024): 85\u201395. <a href=\"https:\/\/doi.org\/10.34382\/0002001105\">https:\/\/doi.org\/10.34382\/0002001105<\/a>. <\/li>\n\n\n\n<li>\u96e3\u6ce2 \u512a\u8f1d. \u201c\u304a\u3082\u3061\u3083\u7684\u81ea\u5df1\uff1a\u5b58\u5728\u306e\u30e2\u30fc\u30c9\u306e\u7f8e\u5b66.\u201d <em>REPLAYING JAPAN<\/em>&nbsp;6 (2024): 97\u2013107. <a href=\"https:\/\/doi.org\/10.34382\/0002001106\">https:\/\/doi.org\/10.34382\/0002001106<\/a>.<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">\u7814\u7a76\u30ce\u30fc\u30c8 &#8211; Research Note<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u798f\u4e95 \u5f18\u6559. \u201c\u7af6\u99ac\u3068\u7af6\u8247\u306e\u30b2\u30fc\u30e0\u7279\u6027 \uff0d\u5404\u7af6\u6280\u306e\u5dee\u7570\u306b\u7740\u76ee\u3057\u3066\uff0d.\u201d&nbsp;<em>REPLAYING JAPAN<\/em>&nbsp;6 (2024): 111\u2013121. <a href=\"https:\/\/doi.org\/10.34382\/0002001117\">https:\/\/doi.org\/10.34382\/0002001117<\/a>.<\/li>\n\n\n\n<li>\u5c0f\u5b6b \u5eb7\u5e73. \u201c\u30d3\u30c7\u30aa\u30b2\u30fc\u30e0\u306b\u5bfe\u3059\u308b\u89aa\u306e\u614b\u5ea6\u3068\u5c0f\u5b66\u751f\u306e\u4f7f\u7528\u306b\u95a2\u3059\u308b\u8a8d\u8b58 \uff0d\u65e5\u4e2d\u306e\u5927\u5b66\u751f\u306e\u8abf\u67fb\u304b\u3089\uff0d.\u201d&nbsp;<em>REPLAYING JAPAN<\/em>&nbsp;<em>6<\/em> (2024): 123\u2013130. <a href=\"https:\/\/doi.org\/10.34382\/0002001116\">https:\/\/doi.org\/10.34382\/0002001116<\/a>.<\/li>\n\n\n\n<li>\u4e09\u5b85 \u967d\u4e00\u90ce, \u5742\u7530 \u65b0\u5e73, \u85e4\u672c \u5e83\u8cb4, \u5c0f\u6797 \u4e00\u5f18, \u677e\u6c38 \u572d\u4e00\u90ce and \u963f\u90e8 \u62d3\u4eba. \u201c\u30b2\u30fc\u30e0\u7523\u696d\u306b\u304a\u3051\u308b\u30b2\u30fc\u30e0\u958b\u767a\u8cc7\u6599\u4fdd\u5b58\u6d3b\u52d5.\u201d&nbsp;<em>REPLAYING JAPAN<\/em>&nbsp;6 (2024): 131\u2013136. <a href=\"https:\/\/doi.org\/10.34382\/0002001115\">https:\/\/doi.org\/10.34382\/0002001115<\/a>.<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">\u7ffb\u8a33 &#8211; Translation<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Youichiro Miyake and Shinpei Sakata. \u201cAI in DRAGON QUEST IV: Game AI technologies from the Two Interviews with Creators.\u201d <em>REPLAYING JAPAN<\/em>&nbsp;6 (2024): 139\u2013154. <a href=\"https:\/\/doi.org\/10.34382\/0002001114\">https:\/\/doi.org\/10.34382\/0002001114<\/a>.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">REPLAYING JAPAN Vol. 5<\/h2>\n\n\n\n<div id=\"Journal-Info\">\n<img decoding=\"async\" src=\"http:\/\/www.rcgs.jp\/wp-content\/uploads\/2023\/05\/rcgs_5_hyoshi.png\">\n\u96d1\u8a8c<br>\u767a\u884c\u65e5\uff1a2023\u5e743\u6708<br>\u767a\u884c\u8005\uff1a\u7acb\u547d\u9928\u5927\u5b66\u30b2\u30fc\u30e0\u7814\u7a76\u30bb\u30f3\u30bf\u30fc<br>\u767a\u884c\u5730\uff1a\u4eac\u90fd\u5e9c\u4eac\u90fd\u5e02<br>\u5f62\u5f0f\uff1a\u518a\u5b50 ; 187 pages ; 29.7 cm<br>\u8a00\u8a9e\uff1ajpn ; eng<br>ISSN\uff1a2433-8060\n<\/div>\n\n\n\n<p><a href=\"https:\/\/ritsumei.repo.nii.ac.jp\/search?page=1&amp;size=100&amp;sort=custom_sort&amp;search_type=2&amp;q=1695\" target=\"_blank\" rel=\"noopener\" title=\"\u76ee\u6b21 - \u7acb\u547d\u9928\u5927\u5b66\u5b66\u8853\u6210\u679c\u30ea\u30dd\u30b8\u30c8\u30ea\">\u76ee\u6b21 &#8211; \u7acb\u547d\u9928\u5927\u5b66\u5b66\u8853\u6210\u679c\u30ea\u30dd\u30b8\u30c8\u30ea<\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>\u539f\u8457\u8ad6\u6587 &#8211; Original Paper<\/strong><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Listen, Benjamin W. \u201cSpeedrunning Terminology for Translation and Interpreting.\u201d&nbsp;<em>REPLAYING JAPAN<\/em>&nbsp;5 (2023): 37\u201347. <a href=\"https:\/\/doi.org\/10.34382\/00018321\" title=\"\">http:\/\/doi.org\/10.34382\/00018321<\/a>.<\/li>\n\n\n\n<li>Chen, Kuan, and Yuhsuke Koyama. \u201cInvestigation of Japanese Social Games Management on Twitter\u202f: Finding the Optimal Solution.\u201d&nbsp;<em>REPLAYING JAPAN<\/em>&nbsp;5 (2023): 49\u201363. <a href=\"https:\/\/doi.org\/10.34382\/00018322\" title=\"\">http:\/\/doi.org\/10.34382\/00018322<\/a>.<\/li>\n\n\n\n<li>Escande, Jessy. \u201cCompiling, Connecting, Transforming\u202f: The Role of Fantasy Bestiaries in the Transmedial Diffusion and Appropriation of Foreign Imaginaries in Japan.\u201d&nbsp;<em>REPLAYING JAPAN<\/em>&nbsp;5 (2023): 65\u201379. <a href=\"https:\/\/doi.org\/10.34382\/00018323\" title=\"\">http:\/\/doi.org\/10.34382\/00018323<\/a>.<\/li>\n\n\n\n<li>\u694a \u601d\u4e88. \u201c\u300cBattlefield 4\u300d\u306b\u5bfe\u3059\u308b\u4e2d\u56fd\u653f\u5e9c\u3068\u30d7\u30ec\u30a4\u30e4\u2015\u306e\u53d6\u308a\u7d44\u307f\uff1a\u300c\u8106\u3044\u30b2\u30fc\u30e0\u30d7\u30ec\u30a4\u300d\u306e\u518d\u5275\u9020.\u201d&nbsp;<em>REPLAYING JAPAN<\/em>&nbsp;5 (2023): 81\u201390. <a href=\"https:\/\/doi.org\/10.34382\/00018324\" title=\"\">http:\/\/doi.org\/10.34382\/00018324<\/a>.<\/li>\n\n\n\n<li>\u6839\u5cb8 \u8cb4\u54c9. \u201c\u30b2\u30fc\u30e0\u3001\u5b9f\u6cc1\u8005\u3001\u8996\u8074\u8005\u306e\u95a2\u4fc2\u6027\u304b\u3089\u307f\u308b\u30b2\u30fc\u30e0\u5b9f\u6cc1\u751f\u653e\u9001\u306e\u69cb\u9020.\u201d&nbsp;<em>REPLAYING JAPAN<\/em>&nbsp;5 (2023): 91\u201398. <a href=\"https:\/\/doi.org\/10.34382\/00018325\" title=\"\">http:\/\/doi.org\/10.34382\/00018325<\/a>.<\/li>\n\n\n\n<li>Whistance-Smith, Gregory. \u201cFraming American Space\u202f: Everyday Brutality in No More Heroes.\u201d&nbsp;<em>REPLAYING JAPAN<\/em>&nbsp;5 (2023): 99\u2013108. <a href=\"https:\/\/doi.org\/10.34382\/00018326\" title=\"\">http:\/\/doi.org\/10.34382\/00018326<\/a>.<\/li>\n\n\n\n<li>\u5009\u6839 \u5553. \u201c\u30b2\u30fc\u30e0\u30d7\u30ec\u30a4\u306f\u3044\u304b\u306b\u3057\u3066\u7269\u8a9e\u306b\u306a\u308b\u306e\u304b.\u201d&nbsp;<em>REPLAYING JAPAN<\/em>&nbsp;5 (2023): 109\u2013119. <a href=\"https:\/\/doi.org\/10.34382\/00018327\" title=\"\">http:\/\/doi.org\/10.34382\/00018327<\/a>.<\/li>\n\n\n\n<li>Bjarnason, N\u00f6kkvi Jarl. \u201cLearning to Make Sense of Japan in Video Games\u202f: How the Educational Affordances of Japan-Related Video Games Inform Their Interpretation.\u201d&nbsp;<em>REPLAYING JAPAN<\/em>&nbsp;5 (2023): 121\u2013133. <a href=\"https:\/\/doi.org\/10.34382\/00018328\" title=\"\">http:\/\/doi.org\/10.34382\/00018328<\/a>.<\/li>\n\n\n\n<li>Oliva, Costantino. \u201cOtocky\u202f: Adventures in Improvisational Musicking.\u201d&nbsp;<em>REPLAYING JAPAN<\/em>&nbsp;5 (2023): 135\u2013146. <a href=\"https:\/\/doi.org\/10.34382\/00018329\" title=\"\">http:\/\/doi.org\/10.34382\/00018329<\/a>.<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">\u7814\u7a76\u30ce\u30fc\u30c8 &#8211; Research Note<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u5c0f\u5b6b \u5eb7\u5e73. \u201c\u30d3\u30c7\u30aa\u30b2\u30fc\u30e0\u3092\u984c\u6750\u306b\u3057\u305f\u300c\u30e1\u30c7\u30a3\u30a2\u3068\u6587\u5316\u300d\u306e\u6388\u696d\u5b9f\u8df5\u3068\u8a55\u4fa1.\u201d&nbsp;<em>REPLAYING JAPAN<\/em>&nbsp;5 (2023): 149\u2013159. <a href=\"https:\/\/doi.org\/10.34382\/00018330\" title=\"\">http:\/\/doi.org\/10.34382\/00018330<\/a>.<\/li>\n\n\n\n<li>\u798f\u4e95 \u5f18\u6559. \u201c\u300c\u30b2\u30fc\u30e0\u300d\u3068\u3057\u3066\u306e\u30d1\u30c1\u30f3\u30b3\u306b\u95a2\u3059\u308b\u691c\u8a0e \uff1a \u6f14\u51fa\u306e\u5909\u9077\u3092\u4e2d\u5fc3\u306b.\u201d&nbsp;<em>REPLAYING JAPAN<\/em>&nbsp;5 (2023): 161\u2013172. <a href=\"https:\/\/doi.org\/10.34382\/00018331\" title=\"\">http:\/\/doi.org\/10.34382\/00018331<\/a>.<\/li>\n\n\n\n<li>\u592a\u7530 \u548c\u5f66, \u9ad8\u5009 \u6681\u5927, \u677e\u5ca1 \u7950\u5b50, \u9ad8\u7530 \u967d, \u8fbb\u7530 \u5e78\u5e83, \u6751\u4e0a \u96c5\u5f66, \u77f3\u5ddd \u6b66\u5fd7, and \u98ef\u7530 \u548c\u654f. \u201c\u30aa\u30f3\u30e9\u30a4\u30f3\u3067\u306e\u30b7\u30ea\u30a2\u30b9\u30b2\u30fc\u30e0\u306e\u5171\u540c\u5236\u4f5c\u904e\u7a0b\u306e\u7279\u5fb4 \uff1a \u30b7\u30ea\u30a2\u30b9\u30dc\u30fc\u30c9\u30b2\u30fc\u30e0\u30b8\u30e3\u30e0 2021\u306e\u4e8b\u4f8b\u304b\u3089.\u201d&nbsp;<em>REPLAYING JAPAN<\/em>&nbsp;5 (2023): 173\u2013184. <a href=\"https:\/\/doi.org\/10.34382\/00018332\" title=\"\">http:\/\/doi.org\/10.34382\/00018332<\/a>.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">REPLAYING JAPAN Vol. 4<\/h2>\n\n\n\n<div id=\"Journal-Info\">\n<img decoding=\"async\" src=\"http:\/\/www.rcgs.jp\/wp-content\/uploads\/2022\/10\/SCAN0003_\u30da\u30fc\u30b8_1.jpg\">\n\u96d1\u8a8c<br>\u767a\u884c\u65e5\uff1a2022\u5e747\u6708<br>\u767a\u884c\u8005\uff1a\u7acb\u547d\u9928\u5927\u5b66\u30b2\u30fc\u30e0\u7814\u7a76\u30bb\u30f3\u30bf\u30fc<br>\u767a\u884c\u5730\uff1a\u4eac\u90fd\u5e9c\u4eac\u90fd\u5e02<br>\u5f62\u5f0f\uff1a\u518a\u5b50 ; 87 pages ; 29.7 cm<br>\u8a00\u8a9e\uff1ajpn ; eng<br>ISSN\uff1a2433-8060\n<\/div>\n\n\n\n<p><a href=\"https:\/\/ritsumei.repo.nii.ac.jp\/search?page=1&amp;size=100&amp;sort=custom_sort&amp;search_type=2&amp;q=1652\" target=\"_blank\" rel=\"noopener\" title=\"\u76ee\u6b21 - \u7acb\u547d\u9928\u5927\u5b66\u5b66\u8853\u6210\u679c\u30ea\u30dd\u30b8\u30c8\u30ea\">\u76ee\u6b21 &#8211; \u7acb\u547d\u9928\u5927\u5b66\u5b66\u8853\u6210\u679c\u30ea\u30dd\u30b8\u30c8\u30ea<\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>\u539f\u8457\u8ad6\u6587 &#8211; Original Paper<\/strong><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Lima Leandro Augusto Borges. 2022. &#8220;Kamurocho, Kazuma and I : Experiencing a Ludoformed District in the Yakuza series.&#8221; REPLAYING JAPAN 4 :9-21. <a href=\"https:\/\/doi.org\/10.34382\/00017633\" target=\"_blank\" rel=\"noopener\" title=\"\">http:\/\/doi.org\/10.34382\/00017633<\/a><\/li>\n\n\n\n<li>Blom Joleen. 2022. &#8220;Attachment, possession or Personalization? : Why the Character Trade in Animal Crossing: New Horizons Exploded.&#8221; REPLAYING JAPAN 4 :23-34. <a href=\"https:\/\/doi.org\/10.34382\/00017634\" target=\"_blank\" rel=\"noopener\" title=\"\">http:\/\/doi.org\/10.34382\/00017634<\/a><\/li>\n\n\n\n<li>Bruno Luca. 2022. &#8220;Artificial Intimacy : Gynoid and Artificial Intelligence in Japanese Character Intimacy Game Software.&#8221; REPLAYING JAPAN 4 :35-45. <a href=\"https:\/\/doi.org\/10.34382\/00017635\" target=\"_blank\" rel=\"noopener\" title=\"\">http:\/\/doi.org\/10.34382\/00017635<\/a><\/li>\n\n\n\n<li>Mikes Marek,Zahora Zdenek. 2022. &#8220;Japanese Digital Games in Czech Media Discourse.&#8221; REPLAYING JAPAN 4 :47-56. <a href=\"https:\/\/doi.org\/10.34382\/00017636\" target=\"_blank\" rel=\"noopener\" title=\"\">http:\/\/doi.org\/10.34382\/00017636<\/a><\/li>\n\n\n\n<li>Miyake Youichiro,Toriumi Fujio. 2022. &#8220;Extracting AI Technologies From Past Digital Games : By Using MCS-AI Dynamic Cooperative Model.&#8221; REPLAYING JAPAN 4 :57-61. <a href=\"https:\/\/doi.org\/10.34382\/00017637\" target=\"_blank\" rel=\"noopener\" title=\"\">http:\/\/doi.org\/10.34382\/00017637<\/a><\/li>\n\n\n\n<li>Navarro-Remesal Victor,Perez Zapata Beatriz. 2022. &#8220;Taiko vs bongo : Taiko no Tatsujin, Donkey Konga, and Japaneseness in their European Distribution.&#8221; REPLAYING JAPAN 4 :63-74. <a href=\"https:\/\/doi.org\/10.34382\/00017638\" target=\"_blank\" rel=\"noopener\" title=\"\">http:\/\/doi.org\/10.34382\/00017638<\/a><\/li>\n\n\n\n<li>Wijaya Stanley. 2022. &#8220;Imagining AI : Representation of AI in Japanese Visual Novels over the Years.&#8221; REPLAYING JAPAN 4 :75-84. <a href=\"https:\/\/doi.org\/10.34382\/00017639\" target=\"_blank\" rel=\"noopener\" title=\"\">http:\/\/doi.org\/10.34382\/00017639<\/a><\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">REPLAYING JAPAN Vol. 3 <\/h2>\n\n\n\n<div id=\"Journal-Info\">\n<img decoding=\"async\" src=\"http:\/\/www.rcgs.jp\/wp-content\/uploads\/2022\/10\/SCAN0003_\u30da\u30fc\u30b8_2.jpg\">\n\u96d1\u8a8c<br>\u767a\u884c\u65e5\uff1a2021\u5e743\u6708<br>\u767a\u884c\u8005\uff1a\u7acb\u547d\u9928\u5927\u5b66\u30b2\u30fc\u30e0\u7814\u7a76\u30bb\u30f3\u30bf\u30fc<br>\u767a\u884c\u5730 \uff1a\u4eac\u90fd\u5e9c\u4eac\u90fd\u5e02<br>\u5f62\u5f0f\uff1a\u518a\u5b50 ; 181 pages ; 29.7 cm<br>\u8a00\u8a9e\uff1ajpn ; eng<br>ISSN\uff1a2433-8060\n<\/div>\n\n\n\n<p><a href=\"https:\/\/ritsumei.repo.nii.ac.jp\/search?page=1&amp;size=100&amp;sort=custom_sort&amp;search_type=2&amp;q=1365\" target=\"_blank\" rel=\"noopener\" title=\"\">\u76ee\u6b21 &#8211; \u7acb\u547d\u9928\u5b66\u8853\u6210\u679c\u30ea\u30dd\u30b8\u30c8\u30ea<\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"mce_17\">\u539f\u8457\u8ad6\u6587 &#8211; Original Paper <\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Amano Keiji,Okabe Tsugumi,Rockwell Geoffrey. 2021. \u201cEthics and Gaming : The Presentation of Ethics and Social Responsibility by the Japanese Game Industry.\u201d REPLAYING JAPAN 3 :11-20.  <a href=\"https:\/\/doi.org\/10.34382\/00014531\" title=\"\">https:\/\/doi.org\/10.34382\/00014531 <\/a><\/li>\n\n\n\n<li> Bredikhina Liudmila. 2021. \u201cVirtual Theatrics and the Ideal VTuber Bish\u014djo.\u201d REPLAYING JAPAN 3 :21-32.  <a href=\"https:\/\/doi.org\/10.34382\/00014532\" title=\"\">https:\/\/doi.org\/10.34382\/00014532 <\/a><\/li>\n\n\n\n<li> Fiadotau Mikhail. 2021. \u201cIsolated Connectedness : Applying the Concept of Transinsularity to Japan&#8217;s Game History.\u201d REPLAYING JAPAN 3 :33-41.  <a href=\"https:\/\/doi.org\/10.34382\/00014533\" title=\"\">https:\/\/doi.org\/10.34382\/00014533 <\/a><\/li>\n\n\n\n<li> Herfs Laurence. 2021. \u201c\u2018We Will Take Your Heart\u2019 : Japanese Cultural Identity in Persona V.\u201d REPLAYING JAPAN 3 :43-54.  <a href=\"https:\/\/doi.org\/10.34382\/00014534\">https:\/\/doi.org\/10.34382\/00014534<\/a><\/li>\n\n\n\n<li> Hinai Kosuke. 2021. \u201cThe Function of Personal Pronouns in French Gameplay Commentary.\u201d REPLAYING JAPAN 3 :55-64.  <a href=\"https:\/\/doi.org\/10.34382\/00014535\" title=\"\">https:\/\/doi.org\/10.34382\/00014535<\/a><\/li>\n\n\n\n<li> McArthur Victoria. 2021. \u201cThe Throne for a Soul : A Study of the Storytelling Affordances of Japanese VR Games.\u201d REPLAYING JAPAN 3 :65-76.  <a href=\"https:\/\/doi.org\/10.34382\/00014536\" title=\"\">https:\/\/doi.org\/10.34382\/00014536<\/a><\/li>\n\n\n\n<li> Paquet Alexandre. 2021. \u201cDelivering Packages in Apocalyptic Times : Utopia and Collectives in Death Stranding.\u201d REPLAYING JAPAN 3 :77-86.  <a href=\"https:\/\/doi.org\/10.34382\/00014537\" title=\"\">https:\/\/doi.org\/10.34382\/00014537<\/a><\/li>\n\n\n\n<li> Pelletier-Gagnon J\u00e9r\u00e9mie,Dumont Alexandra,Jobin Antoine,Deslauriers Patrick,Bonenfant Maude. 2021. \u201c\u2018Finally! My first shiny!\u2019 : Vertical Text Mining Research Protocol and Multilingual Analysis of Player Community Discourse on Pok\u00e9mon Sword and Shield on Twitter.\u201d REPLAYING JAPAN 3 :87-99.  <a href=\"https:\/\/doi.org\/10.34382\/00014538\">https:\/\/d<\/a><a href=\"https:\/\/doi.org\/10.34382\/00014538\" title=\"\">o<\/a><a href=\"https:\/\/doi.org\/10.34382\/00014538\">i.org\/10.34382\/00014538<\/a><\/li>\n\n\n\n<li> Pennington Michael. 2021. \u201cCurated Expressions of Japanese History in Hearts of Iron IV.\u201d REPLAYING JAPAN 3 :101-113 <a href=\"https:\/\/doi.org\/10.34382\/00014539\" title=\"\">https:\/\/doi.org\/10.34382\/00014539<\/a><\/li>\n\n\n\n<li> Richardson Drew. 2021. \u201cPok\u00e9mon, Yo-Kai Watch, Yuru Kyara : Economies of Friendship and Ethnography at Play.\u201d REPLAYING JAPAN 3 :115-125 <a href=\"https:\/\/doi.org\/10.34382\/00014540\" title=\"\">https:\/\/doi.org\/10.34382\/00014540<\/a><\/li>\n\n\n\n<li> \u30ed\u30fc\u30c8 \u30de\u30fc\u30c6\u30a3\u30f3. 2021. \u201c\u30c6\u30ec\u30d3\u30b2\u30fc\u30e0\u6587\u5316\u306e\u7a7a\u9593\u7684\u5c55\u958b : FromSoftware\u30b2\u30fc\u30e0\u306e \u751f\u7523\u7684\u30fb\u6d41\u901a\u7684\u5c55\u958b\u3068\u305d\u308c\u306b\u304a\u3051\u308b\u30bd\u30d5\u30c8\u306a\u6587\u5316\u7684\u5883\u754c\u7dda.\u201d REPLAYING JAPAN 3 :127-141 <a href=\"https:\/\/doi.org\/10.34382\/00014541\" title=\"\">https:\/\/doi.org\/10.34382\/00014541<\/a><\/li>\n\n\n\n<li> Sellier H\u00e9l\u00e8ne. 2021. \u201cMobile Otome Games : Desire and Suspense as Economic Strategy.\u201d REPLAYING JAPAN 3 :143-149 <a href=\"https:\/\/doi.org\/10.34382\/00014542\" title=\"\">https:\/\/doi.org\/10.34382\/00014542<\/a><\/li>\n\n\n\n<li> Tosca Susana. 2021. \u201cMediating the Promised Gameland.\u201d REPLAYING JAPAN 3 :151-160 <a href=\"https:\/\/doi.org\/10.34382\/00014543\" title=\"\">https:\/\/doi.org\/10.34382\/00014543<\/a><a href=\"https:\/\/doi.org\/10.34382\/00014545\"><\/a><\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">\u7814\u7a76\u30ce\u30fc\u30c8 &#8211; Research Note <\/h3>\n\n\n\n<p>Kawaguchi Asuka. 2021. \u201cA Comparison of Gender Aspects in Japanese and U.S Chat Fiction Mobile Applications.\u201d REPLAYING JAPAN 3 :163-168 <a href=\"https:\/\/doi.org\/10.34382\/00014544\" title=\"\">https:\/\/doi.org\/10.34382\/00014544<\/a><\/p>\n\n\n\n<p>Nakamura Akinori(Aki). 2021. \u201cComparative Studies on the Development of the Esports Industry\u2014the USA, Japan, and China.\u201d REPLAYING JAPAN 3 :169-177 <a href=\"https:\/\/doi.org\/10.34382\/00014545\" title=\"\">https:\/\/doi.org\/10.34382\/00014545<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">REPLAYING JAPAN Vol. 2<\/h2>\n\n\n\n<div id=\"Journal-Info\">\n<img decoding=\"async\" src=\"http:\/\/www.rcgs.jp\/wp-content\/uploads\/2020\/07\/RJ_cover_2019_outline-1.png\">\n\u96d1\u8a8c<br>\u767a\u884c\u65e5\uff1a2020\u5e743\u6708<br>\u767a\u884c\u8005\uff1a\u7acb\u547d\u9928\u5927\u5b66\u30b2\u30fc\u30e0\u7814\u7a76\u30bb\u30f3\u30bf\u30fc<br>\u767a\u884c\u5730 \uff1a\u4eac\u90fd\u5e9c\u4eac\u90fd\u5e02<br>\u5f62\u5f0f\uff1a\u518a\u5b50 ; 197 pages ; 29.7 cm<br>\u8a00\u8a9e\uff1ajpn ; eng<br>ISSN\uff1a2433-8060\n<\/div>\n\n\n\n<p><a href=\"https:\/\/ritsumei.repo.nii.ac.jp\/search?page=1&amp;size=100&amp;sort=custom_sort&amp;search_type=2&amp;q=1278\" target=\"_blank\" rel=\"noopener\" title=\"\">\u76ee\u6b21 &#8211; \u7acb\u547d\u9928\u5b66\u8853\u6210\u679c\u30ea\u30dd\u30b8\u30c8\u30ea<\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">\u539f\u8457\u8ad6\u6587 &#8211; Original Paper <\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Bjarnason, N\u00f6kkvi Jarl. 2020. \u201cA Fantasy without a Dream : Japanese Role-Playing Games and the Absence of the Expressive Ideal.\u201d REPLAYING JAPAN 2: 11\u201321. <a href=\"https:\/\/doi.org\/10.34382\/00013359\" target=\"_blank\" rel=\"noopener\" title=\"\">https:\/\/doi.org\/10.34382\/00013359<\/a>.<\/li>\n\n\n\n<li>Ernest, Edmond dit Alban. 2020. \u201cCross-Media Gaming or Where Toys and Video Games Collide : The Pedestrian Dynamics of Level 5\u2019s Snack World.\u201d REPLAYING JAPAN 2: 23\u201331. <a href=\"https:\/\/doi.org\/10.34382\/00013360\" target=\"_blank\" rel=\"noopener\" title=\"\">https:\/\/doi.org\/10.34382\/00013360<\/a>.<\/li>\n\n\n\n<li>Herfs, Laurence. 2020. \u201cDreams of the Japanese Self in The Legend of Zelda : Breath of the Wild.\u201d REPLAYING JAPAN 2: 33\u201347. <a href=\"https:\/\/doi.org\/10.34382\/00013361\" target=\"_blank\" rel=\"noopener\" title=\"\">https:\/\/doi.org\/10.34382\/00013361<\/a>.<\/li>\n\n\n\n<li>Idone Cassone, Vincenzo. 2020. \u201cThe Japanese Influences on Cultural Gamification.\u201d REPLAYING JAPAN 2: 49\u201359. <a href=\"https:\/\/doi.org\/10.34382\/00013362\" target=\"_blank\" rel=\"noopener\" title=\"\">https:\/\/doi.org\/10.34382\/00013362<\/a>.<\/li>\n\n\n\n<li>Kelly, William H. 2020. \u201cHands with Four Digits : An Issue in the Rating and Censorship of Video Games in Japan?\u201d REPLAYING JAPAN 2: 61\u201371. <a href=\"https:\/\/doi.org\/10.34382\/00013363\" target=\"_blank\" rel=\"noopener\" title=\"\">https:\/\/doi.org\/10.34382\/00013363<\/a>.<\/li>\n\n\n\n<li>Kobayashi, Nobushige, and Yuhsuke Koyama. 2020. \u201cThe Early History of the Hobbyist Production Field of Video Games and Its Impacts on the Establishment of Japan\u2019s Video Game Industries.\u201d REPLAYING JAPAN 2: 73\u201382. <a href=\"https:\/\/doi.org\/10.34382\/00013364\" target=\"_blank\" rel=\"noopener\" title=\"\">https:\/\/doi.org\/10.34382\/00013364<\/a>.<\/li>\n\n\n\n<li>May, Lawrence. 2020. \u201c100-Yen Apocalypse : Sensorial Experiences of Zombie Play in Japanese Game Centers.\u201d REPLAYING JAPAN 2: 83\u201393. <a href=\"https:\/\/doi.org\/10.34382\/00013365\" target=\"_blank\" rel=\"noopener\" title=\"\">https:\/\/doi.org\/10.34382\/00013365<\/a>.<\/li>\n\n\n\n<li>McArthur, Victoria. 2020. \u201c\u6f22\u5b57\u7269\u8a9e : Design Considerations for a Visual Storytelling Approach to Japanese Language Learning in Augmented Reality.\u201d REPLAYING JAPAN 2: 95\u2013104. <a href=\"https:\/\/doi.org\/10.34382\/00013366\" target=\"_blank\" rel=\"noopener\" title=\"\">https:\/\/doi.org\/10.34382\/00013366<\/a>.<\/li>\n\n\n\n<li>Miyake, Youichiro. 2020. \u201cResearching AI Technologies Created in Japan in the 1980s and 1990s.\u201d REPLAYING JAPAN 2: 105\u201310. <a href=\"https:\/\/doi.org\/10.34382\/00013367\" target=\"_blank\" rel=\"noopener\" title=\"\">https:\/\/doi.org\/10.34382\/00013367<\/a>.<\/li>\n\n\n\n<li>\u96e3\u6ce2\u512a\u8f1d. 2020. \u201c\u30b2\u30fc\u30e0\u30d7\u30ec\u30a4\uff0f\u30e4\u306e\u7f8e\u5b66\uff1a\u30d7\u30ec\u30a4\u3001\u30d7\u30ec\u30a4\u30e4\u3001\u30da\u30eb\u30bd\u30ca.\u201d REPLAYING JAPAN 2: 111\u201321. <a href=\"https:\/\/doi.org\/10.34382\/00013368\" target=\"_blank\" rel=\"noopener\" title=\"\">https:\/\/doi.org\/10.34382\/00013368<\/a>.<\/li>\n\n\n\n<li>\u00d8ygardslia, Kristine, Charlotte L\u00e6rke Weitze, and Juhyung Shin. 2020. \u201cThe Educational Potential of Visual Novel Games : Principles for Design.\u201d REPLAYING JAPAN 2: 123\u201334. <a href=\"https:\/\/doi.org\/10.34382\/00013369\" title=\"\">https:\/\/doi.org\/10.34382\/00013369<\/a>.<\/li>\n\n\n\n<li>Scheiding, Ryan. 2020. \u201c\u2018That\u2019s Not Real Victory\u2019 : Atomic Bomb Collective\/Cultural Memory in Call of Duty and Valkyria Chronicles.\u201d REPLAYING JAPAN 2: 135\u201345. <a href=\"https:\/\/doi.org\/10.34382\/00013370\" title=\"\">https:\/\/doi.org\/10.34382\/00013370<\/a>.<\/li>\n\n\n\n<li>She, Yasheng. 2020. \u201cMelancholic Vortex and Postwar Pacifism in NieR : Automata.\u201d REPLAYING JAPAN 2: 147\u201355. <a href=\"https:\/\/doi.org\/10.34382\/00013371\" title=\"\">https:\/\/doi.org\/10.34382\/00013371<\/a>.<\/li>\n\n\n\n<li>Stone, Jon. 2020. \u201cFrog Leaps in : Haiku and the Struggle For and Against the Natural World in Japanese RPGs.\u201d REPLAYING JAPAN 2: 157\u201364. <a href=\"https:\/\/doi.org\/10.34382\/00013372\" title=\"\">https:\/\/doi.org\/10.34382\/00013372<\/a>.<\/li>\n\n\n\n<li>\u8c37\u5ddd\u5609\u6d69. 2020. \u201c\u30b2\u30fc\u30e0\u306f\u3069\u306e\u3088\u3046\u306a\u79fb\u52d5\u3092\u4e0e\u3048\u3066\u304f\u308c\u308b\u306e\u304b\uff1a\u30de\u30ce\u30f4\u30a3\u30c3\u30c1\u3068\u30a4\u30f3\u30b4\u30eb\u30c9\u306b\u3088\u308b\u79fb\u52d5\u306e\u611f\u6027\u8ad6.\u201d REPLAYING JAPAN 2: 165\u201375. <a href=\"https:\/\/doi.org\/10.34382\/00013373\" title=\"\">https:\/\/doi.org\/10.34382\/00013373<\/a>.<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\"> \u7814\u7a76\u30ce\u30fc\u30c8 &#8211; Research Note <\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li> \u5c0f\u5b6b\u5eb7\u5e73. 2020. \u201c\u30d3\u30c7\u30aa\u30b2\u30fc\u30e0\u306e\u30e1\u30c7\u30a3\u30a2\u6587\u5316\u3068\u30d3\u30c7\u30aa\u30b2\u30fc\u30e0\u30fb\u30ea\u30c6\u30e9\u30b7\u30fc\u6559\u80b2 : NHK\u756a\u7d44\u30a2\u30fc\u30ab\u30a4\u30d6\u30b9\u306e\u6559\u80b2\u5229\u7528.\u201d REPLAYING JAPAN 2: 179\u201386. <a href=\"https:\/\/doi.org\/10.34382\/00013374\" target=\"_blank\" rel=\"noopener\" title=\"\">https:\/\/doi.org\/10.34382\/00013374<\/a>. <\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">\u30ec\u30dd\u30fc\u30c8 &#8211; Report<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li> Ito, Kyohei, Yasuo Kawasaki, Luca Bruno, and Martin Roth. 2020. \u201cJapan\u2019s  Videogames and Digital Cultures : Local and Global. A Report about the  6th PaJaKo Workshop between Ritsumeikan and Leipzig University.\u201d  REPLAYING JAPAN 2: 189\u201394. <a href=\"https:\/\/doi.org\/10.34382\/00013375\" target=\"_blank\" rel=\"noopener\" title=\"\">https:\/\/doi.org\/10.34382\/00013375<\/a>.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">REPLAYING JAPAN Vol. 1<\/h2>\n\n\n\n<div id=\"Journal-Info\">\n<img decoding=\"async\" src=\"https:\/\/rcgs.jp\/wp-content\/uploads\/2019\/04\/RJ-1.jpg\">\n\u96d1\u8a8c<br>\u767a\u884c\u65e5\uff1a2019\u5e743\u6708<br>\u767a\u884c\u8005\uff1a\u7acb\u547d\u9928\u5927\u5b66\u30b2\u30fc\u30e0\u7814\u7a76\u30bb\u30f3\u30bf\u30fc<br>\u767a\u884c\u5730 \uff1a\u4eac\u90fd\u5e9c\u4eac\u90fd\u5e02<br>\u5f62\u5f0f\uff1a\u518a\u5b50 ; 148 pages ; 29.7 cm<br>\u8a00\u8a9e\uff1ajpn ; eng<br>ISSN\uff1a2433-8060\n<\/div>\n\n\n\n<p><a href=\"https:\/\/ritsumei.repo.nii.ac.jp\/search?page=1&amp;size=100&amp;sort=custom_sort&amp;search_type=2&amp;q=1000\" target=\"_blank\" rel=\"noopener\" title=\"\">\u76ee\u6b21 &#8211; \u7acb\u547d\u9928\u5b66\u8853\u6210\u679c\u30ea\u30dd\u30b8\u30c8\u30ea<\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">\u62db\u8058\u8ad6\u6587 &#8211; Invited Paper<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Newman, James. 2019. \u201cSlower, Squashed and Six Months Late : Japanese Videogames in the UK, 1991-2019.\u201d REPLAYING JAPAN 1: 5\u201328. <a href=\"https:\/\/doi.org\/10.34382\/00007808\" target=\"_blank\" rel=\"noopener\" title=\"\">https:\/\/doi.org\/10.34382\/00007808<\/a>.<\/li>\n\n\n\n<li>Pelletier-Gagnon, J\u00e9r\u00e9mie. 2019. \u201cPlayers, Cabinets, and the Space In-Between\u202f: Case Studies of Non-Ludic Negotiation of Video Game Cabinet Spaces in Japanese Game Centers.\u201d <em>REPLAYING JAPAN<\/em> 1: 29\u201339. <a href=\"https:\/\/doi.org\/10.34382\/00007809\" target=\"_blank\" rel=\"noopener\" title=\"\">https:\/\/doi.org\/10.34382\/00007809<\/a>.<\/li>\n\n\n\n<li>Okabe, Tsugumi. 2019. \u201cGlobal Partners against Crime\u202f: Rewriting Sherlock Holmes and Watson in Japanese Video Games.\u201d <em>REPLAYING JAPAN<\/em> 1: 40\u201351. <a href=\"https:\/\/doi.org\/10.34382\/00007810\" target=\"_blank\" rel=\"noopener\" title=\"\">https:\/\/doi.org\/10.34382\/00007810<\/a>.<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">\u539f\u8457\u8ad6\u6587 &#8211; Original Paper<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Ram\u00edrez-Moreno, Carlos. 2019. \u201cHyperculturality, Globalization and Cultural Representation in Japanese Survival Horror.\u201d <em>REPLAYING JAPAN<\/em> 1: 52\u201363. <a href=\"https:\/\/doi.org\/10.34382\/00007811\" target=\"_blank\" rel=\"noopener\" title=\"\">https:\/\/doi.org\/10.34382\/00007811<\/a>.<\/li>\n\n\n\n<li>Kamm, Bj\u00f6rn-Ole. 2019. \u201cAdapting Live-Action Role-Play in Japan\u202f: How \u2018German\u2019 Roots Do Not Destine \u2018Japanese\u2019 Routes.\u201d <em>REPLAYING JAPAN<\/em> 1: 64\u201378. <a href=\"https:\/\/doi.org\/10.34382\/00007812\" target=\"_blank\" rel=\"noopener\" title=\"\">https:\/\/doi.org\/10.34382\/00007812<\/a>.<\/li>\n\n\n\n<li>\u6881\u5b87\u71b9. 2019. \u201c\u30b8\u30e3\u30fc\u30ca\u30ea\u30ba\u30e0\u306e\u8996\u70b9\u304b\u3089\u898b\u305f\u30b2\u30fc\u30e0\u6a5f\u306e\u6d41\u884c \u300e\u9031\u520a\u30d5\u30a1\u30df\u901a\u300f\u306b\u304a\u3051\u308b\u4f5c\u54c1\u8a55\u4fa1\u306b\u3064\u3044\u3066\u306e\u8003\u5bdf\u201d <em>REPLAYING JAPAN<\/em> 1: 79\u201392. <a href=\"https:\/\/doi.org\/10.34382\/00007813\" target=\"_blank\" rel=\"noopener\" title=\"\">https:\/\/doi.org\/10.34382\/00007813<\/a>.<\/li>\n\n\n\n<li>Shin, Juhyung. 2019. \u201c\u97d3\u56fd\u30dc\u30fc\u30c9\u30b2\u30fc\u30e0\u6587\u5316\u306e\u5f62\u6210\u3068\u5909\u9077.\u201d <em>REPLAYING JAPAN<\/em> 1: 93\u2013105. <a href=\"https:\/\/doi.org\/10.34382\/00007814\" target=\"_blank\" rel=\"noopener\" title=\"\">https:\/\/doi.org\/10.34382\/00007814.<\/a><\/li>\n\n\n\n<li>\u85e4\u539f\u6b63\u4ec1. 2019. \u201c\u30b2\u30fc\u30e0\u958b\u767a\u8005\u306e\u30ad\u30e3\u30ea\u30a2\u4e2d\u671f\u304b\u3089\u5f8c\u671f\u306e\u767a\u9054\u3068\u8ab2\u984c.\u201d <em>REPLAYING JAPAN<\/em> 1: 106\u201317. <a href=\"https:\/\/doi.org\/10.34382\/00007815\" target=\"_blank\" rel=\"noopener\" title=\"\">https:\/\/doi.org\/10.34382\/00007815<\/a>.<\/li>\n\n\n\n<li>\u6bdb\u5229\u4ec1\u7f8e, \u798f\u7530\u4e00\u53f2, and \u7d30\u4e95\u6d69\u4e00. 2019. \u201c\u4e3b\u984c\u4ed8\u4e0e\u65b9\u91dd\u306e\u63d0\u6848\u306b\u5411\u3051\u305f\u30d3\u30c7\u30aa\u30b2\u30fc\u30e0\u306e\u5229\u7528\u8005\u8981\u6c42\u306b\u95a2\u3059\u308b\u7814\u7a76\u202f: \u8cea\u554f\u5fdc\u7b54\u30b5\u30a4\u30c8\u306e\u8a08\u91cf\u30c6\u30ad\u30b9\u30c8\u5206\u6790.\u201d <em>REPLAYING JAPAN<\/em> 1: 118\u201335. <a href=\"https:\/\/doi.org\/10.34382\/00007816\" target=\"_blank\" rel=\"noopener\" title=\"\">https:\/\/doi.org\/10.34382\/00007816<\/a> .<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">\u7814\u7a76\u30ce\u30fc\u30c8 &#8211; Research Note<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u658e\u85e4\u9032\u4e5f, \u798f\u7530\u4e00\u53f2, and \u98ef\u7530\u548c\u654f. 2019. \u201c\u30c7\u30fc\u30bf\u95b2\u89a7\u652f\u63f4\u306e\u305f\u3081\u306e\u30bf\u30fc\u30f3\u30c6\u30fc\u30d6\u30eb\u578bUI\u306e\u958b\u767a\u202f: \u300c\u30b2\u30fc\u30df\u30f3\u30b0\u30d3\u30b8\u30e5\u30a2\u30e9\u30a4\u30bc\u30fc\u30b7\u30e7\u30f3\u300d\u306e\u89b3\u70b9\u304b\u3089.\u201d <em>REPLAYING JAPAN<\/em> 1: 136\u201344. <a href=\"https:\/\/doi.org\/10.34382\/00007817\" target=\"_blank\" rel=\"noopener\" title=\"\">https:\/\/doi.org\/10.34382\/00007817<\/a>.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">REPLAYING JAPAN Vol. 0 (\u6e96\u5099\u53f7)<\/h2>\n\n\n\n<div id=\"Journal-Info\">\n<img decoding=\"async\" src=\"https:\/\/rcgs.jp\/wp-content\/uploads\/2019\/04\/vol0.jpg\">\n\u96d1\u8a8c<br>\n\u767a\u884c\u65e5\uff1a2018\u5e743\u6708<br>\n\u767a\u884c\u8005\uff1a\u7acb\u547d\u9928\u5927\u5b66\u30b2\u30fc\u30e0\u7814\u7a76\u30bb\u30f3\u30bf\u30fc<br>\n\u767a\u884c\u5730\uff1a\u4eac\u90fd\u5e9c\u4eac\u90fd\u5e02<br>\n\u5f62\u5f0f\uff1a\u518a\u5b50 ; 90 pages ; 29.7 cm<br>\n\u8a00\u8a9e\uff1ajpn ; eng<br>\nISSN\uff1a2433-8060\n<\/div>\n\n\n\n<p><a href=\"https:\/\/ritsumei.repo.nii.ac.jp\/search?page=1&amp;size=100&amp;sort=custom_sort&amp;search_type=2&amp;q=999\" target=\"_blank\" rel=\"noopener\" title=\"\">\u76ee\u6b21 &#8211; \u7acb\u547d\u9928\u5b66\u8853\u6210\u679c\u30ea\u30dd\u30b8\u30c8\u30ea<\/a><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u4e0a\u6751\u96c5\u4e4b. 2018. \u201cReplaying Japan \u6e96\u5099\u53f7 \u767a\u520a\u306b\u5bc4\u305b\u3066.\u201d <em>REPLAYING JAPAN<\/em>, 5. <a href=\"https:\/\/doi.org\/10.34382\/00007790\" target=\"_blank\" rel=\"noopener\" title=\"\">http:\/\/hdl.handle.net\/10367\/10879<\/a>.<\/li>\n\n\n\n<li>Uemura, Msayuki. 2018. \u201cFrom Famicom to Super Famicom\u30fbThe Conversion from a One-Hit Idea to the Creation of a Sustainable System.\u201d <em>REPLAYING JAPAN<\/em>, 48\u201352. <a href=\"https:\/\/doi.org\/10.34382\/00007791\" target=\"_blank\" rel=\"noopener\" title=\"\">http:\/\/hdl.handle.net\/10367\/10886<\/a>. <\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">\u8b1b\u6f14\u8a18\u9332 &#8211; Lecture Note<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u4e0a\u6751\u96c5\u4e4b. 2018. \u201c\u30d5\u30a1\u30df\u30b3\u30f3\u304b\u3089\u30b9\u30fc\u30d1\u30fc\u30d5\u30a1\u30df\u30b3\u30f3\u3078\u30fb\u5358\u767a\u30d2\u30c3\u30c8\u767a\u60f3\u304b\u3089\u6301\u7d9a\u7684\u30b7\u30b9\u30c6\u30e0\u5275\u9020\u3078\u306e\u8ee2\u63db\u306e\u4e2d\u3067.\u201d <em>REPLAYING JAPAN<\/em>, 6\u201310.  <br><a rel=\"noreferrer noopener\" target=\"_blank\" href=\"http:\/\/hdl.handle.net\/10367\/10880\">http:\/\/hdl.handle.net\/10367\/10880<\/a>.<\/li>\n\n\n\n<li>\u4e45\u591b\u826f\u6728\u5065. 2018. \u201c\u30d7\u30ec\u30a4\u30b9\u30c6\u30fc\u30b7\u30e7\u30f3\u202f: \u30b3\u30f3\u30d4\u30e5\u30fc\u30bf\u30a8\u30f3\u30bf\u30fc\u30c6\u30a4\u30f3\u30e1\u30f3\u30c8\u5e02\u5834\u306e\u5275\u9020\u3068\u767a\u5c55\u306b\u5411\u3051\u305f\u53d6\u308a\u7d44\u307f.\u201d <em>REPLAYING JAPAN<\/em>, 11\u201316.  <br><a href=\"https:\/\/doi.org\/10.34382\/00007792\" target=\"_blank\" rel=\"noopener\" title=\"\">http:\/\/hdl.handle.net\/10367\/10881<\/a>.<\/li>\n\n\n\n<li>\u4e2d\u6751\u5f70\u61b2, \u4e0a\u6751\u96c5\u4e4b, \u4e45\u591b\u826f\u6728\u5065, and \u6d5c\u6751\u5f18\u4e00. 2018. \u201c\u30d1\u30cd\u30eb\u30c7\u30a3\u30b9\u30ab\u30c3\u30b7\u30e7\u30f3\/\u6e29\u6545\u77e5\u65b0\u202f: \u30d7\u30e9\u30c3\u30c8\u30d5\u30a9\u30fc\u30e0\u30d3\u30b8\u30cd\u30b9\u306e\u6e90\u6d41\u3068\u3057\u3066\u306e\u5bb6\u5ead\u7528\u30b2\u30fc\u30e0\u6a5f.\u201d <em>REPLAYING JAPAN<\/em>, 17\u201324. <a href=\"https:\/\/doi.org\/10.34382\/00007793\" target=\"_blank\" rel=\"noopener\" title=\"\">http:\/\/hdl.handle.net\/10367\/10882<\/a>.<\/li>\n\n\n\n<li>\u30cf\u30c3\u30c1\u30bd\u30f3\u30ec\u30a4\u30c1\u30a7\u30eb. 2018. \u201c\u57fa\u8abf\u8b1b\u6f14\uff0f\u4e71\u53cd\u5c04\u3059\u308b\u30f4\u30a3\u30b8\u30e7\u30f3\u202f: \u65e5\u672c\u306e\u30b2\u30fc\u30e0\u306b\u304a\u3051\u308b\u300c\u30c8\u30e9\u30f3\u30b9\u30e1\u30c7\u30a3\u30a2\u30fb\u30b9\u30c8\u30fc\u30ea\u30fc\u30c6\u30ea\u30f3\u30b0\u300d.\u201d <em>REPLAYING JAPAN<\/em>, 25\u201334. <a href=\"https:\/\/doi.org\/10.34382\/00007794\" target=\"_blank\" rel=\"noopener\" title=\"\">http:\/\/hdl.handle.net\/10367\/10883<\/a>.<\/li>\n\n\n\n<li>\u30ab\u30ea\u30f3\u30b9\u30ad\u30fc\u30c8\u30fc\u30de\u30b9 J. 2018. \u201c\u57fa\u8abf\u8b1b\u6f14\/\u5c02\u9580\u5bb6\u305f\u3061\u306e\u8a00\u3046\u3053\u3068\u306f\u5e38\u306b\u9593\u9055\u3063\u3066\u3044\u308b.\u201d <em>REPLAYING JAPAN<\/em> 0: 35\u201343. <a href=\"https:\/\/doi.org\/10.34382\/00007795\" target=\"_blank\" rel=\"noopener\" title=\"\">http:\/\/hdl.handle.net\/10367\/10884<\/a>.<\/li>\n\n\n\n<li>UEMURA, Msayuki. 2018. \u201cFrom Famicom to Super Famicom\u30fbThe Conversion from a One-Hit Idea to the Creation of a Sustainable System.\u201d REPLAYING JAPAN 0: 48\u201352.  <br><a href=\"https:\/\/doi.org\/10.34382\/00007798\" target=\"_blank\" rel=\"noopener\" title=\"\">http:\/\/hdl.handle.net\/10367\/10887<\/a>.<\/li>\n\n\n\n<li>KUTARAGI, Ken. 2018. \u201cPlayStation\uff1aEarly Efforts in the Creation and Development of the Digital Entertainment Market.\u201d REPLAYING JAPAN 0: 53\u201359. <a href=\"https:\/\/doi.org\/10.34382\/00007799\" target=\"_blank\" rel=\"noopener\" title=\"\">http:\/\/hdl.handle.net\/10367\/10888<\/a>.<\/li>\n\n\n\n<li>NAKAMURA, Akinori, Msayuki UEMURA, Ken KUTARAGI, and Hirokazu HAMAKAWA. 2018. \u201cPanel Discussion\/Recall the Past to Understand the Future\uff1aHome Video Game Consoles as Origins of Platform Business.\u201d REPLAYING JAPAN 8: 60\u201367. <a href=\"https:\/\/doi.org\/10.34382\/00007800\" target=\"_blank\" rel=\"noopener\" title=\"\">http:\/\/hdl.handle.net\/10367\/10889<\/a>.<\/li>\n\n\n\n<li>HUTCHINSON, Rachael. \u201cRefracted Visions\uff1aTransmedia Storytelling in Japanese Games.\u201d REPLAYING JAPAN 0: 68\u201376.<a href=\"https:\/\/doi.org\/10.34382\/00007801\" target=\"_blank\" rel=\"noopener\" title=\"\">http:\/\/hdl.handle.net\/10367\/10890<\/a>.<\/li>\n\n\n\n<li>KALINSKE, Thomas J. \u201cThe Experts Are Always Wrong.\u201d REPLAYING JAPAN 0: 77\u201384. <a href=\"https:\/\/doi.org\/10.34382\/00007802\" target=\"_blank\" rel=\"noopener\" title=\"\">http:\/\/hdl.handle.net\/10367\/10891<\/a>.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>\u300eREPLAYING JAPAN\u300f\u30d0\u30c3\u30af\u30ca\u30f3\u30d0\u30fc REPLAYING JAPAN Vol. 7 \u96d1\u8a8c\u767a\u884c\u65e5\uff1a2025\u5e743\u6708\u767a\u884c\u8005\uff1a\u7acb\u547d\u9928\u5927\u5b66\u30b2\u30fc\u30e0\u7814\u7a76\u30bb\u30f3\u30bf\u30fc\u767a\u884c\u5730\uff1a\u4eac\u90fd\u5e9c\u4eac\u90fd\u5e02\u5f62\u5f0f\uff1a\u518a\u5b50 ; 167 <a class=\"more-link\" href=\"https:\/\/www.rcgs.jp\/?page_id=200\">\u7d9a\u304d\u3092\u8aad\u3080\u2026<\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-200","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.rcgs.jp\/index.php?rest_route=\/wp\/v2\/pages\/200","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rcgs.jp\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.rcgs.jp\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.rcgs.jp\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rcgs.jp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=200"}],"version-history":[{"count":129,"href":"https:\/\/www.rcgs.jp\/index.php?rest_route=\/wp\/v2\/pages\/200\/revisions"}],"predecessor-version":[{"id":3155,"href":"https:\/\/www.rcgs.jp\/index.php?rest_route=\/wp\/v2\/pages\/200\/revisions\/3155"}],"wp:attachment":[{"href":"https:\/\/www.rcgs.jp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=200"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}